D15 Hymns of Disillusion

Tracks:

01 Cash (Single Version)

02 Lies

03 Just Lie Down

04 Falling Up is Easier

05 Quietly

06 Ignoble

07 Don’t Believe

08 The Message

09 Blindness

10 Dry Landscape

11 It’s OK I’m Wrong

12 The Weight

13 Time

14 This Very Earth

15 I Used to Believe

16 Insatiable Disaster

17 End of the End

18 Torture

19 Waste

20 Blank

21 NES

22 Weep

and, you can stream it on youtube:

CREDITS:

1 Ca$h

guitars, drum programming, samples, vocals: Zeke Mason

“Money”: Fixer  

2 Lies (4:00)  

bass, guitars, drums & programming, vocals: Zeke Mason  

sampled analogue synthesizer: Fixer  

3 Just Lie Down (3:31)  

guitars, bass, drums & programming: Zeke Mason  

edits: Fixer & Zeke Mason  

4 Falling Up is Easier (8:45)

guitars, bass, drums & programming, edits, synth-bass,
vocals: Zeke Mason

5 Quietly (2:15)

whistling: Fixer

bass, drums & programming, plastic, metal, & wood
percussion, rebar, vocals: Zeke Mason

6 Ignoble (0:42)

guitar & treatments: Zeke Mason (circa 2000)

7 Don’t Believe (2:26)

programming & edits, synth-bass: Fixer

drums & programming, guitars, synth-bass, vocals: Zeke
Mason

8 The Message (3:13)

guitar, drums & programming, synth-bass, vocals, samples:
Zeke Mason

programming, phase distortion digital synthesizer, edits:
Fixer

9 Blindness (5:07)

modem machine synthesis unit, drums & programming,
verse vocals: Fixer

drums & programming, guitars, oscillation synthesis unit,
edits, vst synthesizers, synth-bass, chorus vocals: Zeke
Mason

10 Dry Landscape (0:27)

guitars & acoustic drums: Zeke Mason

11 It’s OK, I’m Wrong (2:23)

programming, metal percussion, vocals, synth-bass: Zeke
Mason

12 The Weight (4:35)

sampled analogue synthesizer: Fixer

guitars, drums & programming, percussion, crashes,
vocals, papers, edits: Zeke Mason

13 Time (2:43)

drums & programming, bass, square metal tube, distorted
acoustic drums, distorted metal percussion, screams,
vocals: Zeke Mason

texture guitar: Fixer

14 This Very Earth (3:00)

programming, synthbass, frequency modulation digital
synthesizer: Fixer

drums & programming, guitars, edits, commodore VIC20
synthesis unit: Zeke Mason

15: I Used to Believe (3:43)

guitars, harmonicas, square metal tube, plastic & metal
percussion, vocals, delay signal: Zeke Mason

sampled analogue synthesizer, infinitely sustaining slide
guitar, delay signal: Fixer

16 Insatiable Disaster (2:33)

guitars: Fixer

acoustic drums, voices, delay loop: Zeke Mason (circa
2000)

17 End of the End (3:04)

acoustic drums, acoustic guitars, edits, programming,
digital wave synthesizer, vocals: Zeke Mason

18 Torture (2:13)

harmonica, chrometa, guitars, analogue synthesizer, chest
cavity: Zeke Mason (circa 2000)

19 Waste (3:41)

programming, electric guitars, acoustic guitars, phase
distortion digital synthesizer, frequency modulation digital
synthesizer, sampled electric guitar, synth-bass, vocals:
Zeke Mason

programming, phase distortion digital synthesizer, frequency
modulation digital synthesizer, strings: Fixer

20 Failing (1:25)

synthesis unit remanufactured from a nintendo video game
unit: Zeke Mason

21 Weep (7:51)

drums & programming, acoustic guitars, electric guitars,
electric piano, vocals: Zeke Mason

backing vocals: Fixer

Hymns of Disillusion was the first full studio
album made with Fixer. It was also the first time I
had let another person in at the ground level.
After much heavy conceptual work, I decided
that it would be an exercise, in and of itself, for
Dumbass to just go into the studio and sit down
and write and record an album. The only
restriction that we had going in was that we
wanted the album to be more rock oriented. As
we began to work songs developed out of drum
beats and chord progressions then lyrics began
to form. And though we did not go into the
process with a concept in mind, a theme began
to develop, which runs through the album from
first to last. Again, elements of change were
touched on. Hymns of Disillusion was the end of
a chapter in Dumbass’ history and the beginning
of a new one, but the profound sense of
disbelief and the aftermath of realization are the
most pervasive elements.  Hymns of Disillusion
also represented a sort of return to our roots
musically. This was a moment where, after
staying away for quite a while (The Execution of
Certain Actions, Stories, 2 Weeks, etc.) we
realized that it was ok to still like to make loud
noise-rock. Enjoy.  Zeke Mason